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Dance Shoes
Pointe shoes are designed for ballet dancing. These have a toe box that is stiffened with glue and a hardened sole so the dancer can stand on the tips of their toes. They are secured by elastic straps and ribbons that are tied to the dancer's ankles. Ballet shoes are soft, highly pliable shoes made of canvas or leather, with either continuous or two-part sole (also called split-sole). The sole is typically made of leather, with thicker material under the ball and heel of the foot, and thinner and thus more flexible material under the arch so that the foot can be pointed to its utmost. Ballet slippers are usually secured by elastics that cross over the top of the foot. They are most commonly pink, white, black, or pale tan, although they may be made in specialty colours such as red or blue. Ghillies are soft shoes that are used in Irish dance, Scottish country dance, and highland dance. Jazz shoes typically have a two-part rubberized sole (also called split-sole) to provide both flexibility and traction, and a low (one inch or shorter) heel. They are secured to the foot by laces or elastic inserts.Tango and Flamenco shoes are used for dancing the tango or flamenco. Ballroom shoes fall into two categories: Ballroom and Latin American. Both are characterised by suede soles. Men's ballroom shoes are typically lace-ups with one-inch heels and patent leather uppers. Ladies' ballroom shoes are typically court shoes with two-inch heels, made of fabric that can be colored to match the dancer's dress. In contrast to the low Ballroom heel, which evenly distributes weight across the foot, Latin American shoes have higher heels designed to shift weight onto the toes. Latin shoes are also more flexible than ballroom shoes. Men's Latin shoes typically have 1.5- to 2-inch high, shaped heels, while Ladies' Latin shoes have 2,5-inch to 3-inch heels. Ladies shoes are typically open-toed and strapped.
Dance sneakers. Also known as dansneakers, these are a combination of a sneaker and a dance shoe, with a reinforced rubber toe.Character shoes have a one to three inch heel, which is usually made of leather, and often have one or more straps across the instep to secure it to the foot. They may come in soft-soled (suede) or hard-soled varieties. They may be converted to tap shoes by attaching taps. Foot thongs are known by various names depending on the manufacturer, including dance paws, foot undies, and foot paws. They are slip-on, partial foot covers that protect the ball of a dancer's foot from skin abrasions while executing turns. From a distance, flesh colored foot thongs give a dancer the appearance of having bare feet. Tap shoes have metal plates mounted to the bottoms of the toe and heel. The metal plates, which are known as taps, make a loud sound when struck against a hard performance surface. Tap shoes, which are used in tap dancing, may be made from any style of shoe to which taps can be attached.
Ballroom Dance Shoes
Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world. Because of its performance and entertainment aspects, ballroom dance is also widely enjoyed on stage, film, and television. Ballroom dance may refer, at its widest, to almost any type of social dancing as recreation. However, with the emergence of dancesport in modern times, the term has become narrower in scope. It usually refers to the International Standard and International Latin style dances (see dance categories below). These styles were developed in England, and are now regulated by the World Dance Council (WDC). In the United States, two additional variations are popular: American Smooth and American Rhythm. There are also a number of historical dances, and local or national dances, which may be danced in ballrooms or salons. Sequence dancing, in pairs or other formations, is still a popular style of ballroom dance.
Latin Dance Shoes
Latin dance is a general label (and a term in partner dance competition jargon) that refers to various forms of ballroom dance and folk dance, and can include a wide range of dances originating in Latin America (including Puerto Rico and Cuba). Ballroom examples include the cha-cha-cha, rumba, samba, mambo, danza, merengue, tumba, bachata, bomba, plena, paso doble Jamaican Daggeren and bolero.[citation needed] Some also consider tango and Argentine tango in this list. The International Latin dances of Dancesport(recognized by the WDC, WDSF, IDSA, and IDU) are Cha Cha, Samba, Rumba, Paso Doble, and Jive. Latin folk dances of Argentina include the chacarera, gato, escondido and zamba. Typical Bolivian folk dances are the morenada, kullawada, caporales and the recently created tinku. In Colombia one of the typical dances is the cumbia.
Salsa Dance Shoes
Salsa is a syncretic dance form with origins from the Cuban Son (circa 1920s) and Afro-Cuban dance (specifically Afro-Cuban rumba). It is generally associated with the salsa music style, although it may be danced under other types of Latin American music. Salsa is normally a partner dance, although there are forms such as a line dance form "Salsa suelta", where the dancers dance individually and a round dance form "Rueda de Casino" where multiple couples exchange partners in a circle. Salsa can be improvised orperformed with a set routine. Salsa is a popular social dance throughout Latin America as well as in North America, Europe, Australia, and some countries in Asia and the Middle East. Salsa dance movements originate from the Cuban Son dancing of the 1940s more specifically through the beat of Son Montuno with strong influences from the dance of Danzon,Mambo, Guaguanco and other Afro-Cuban folkloric dancing. Today there are many various styles of salsa dancing because of geographical dispersion and cultural syncretism. The most well-known styles are Cali-style (from Colombia), Cuban-style ("Casino"), LA-style, New York-style, and Puerto Rican-style. Salsa is typically a partner dance, although there are recognized solo forms (Floor Shines/ Shines), line dancing, and Rueda de Casino, where groups of couples exchange partners in a circle. Salsa can be improvised or performed with a set routine, choreography and freestyle.
Wedding Shoes
A wedding is the ceremony in which two people are united in marriage or a similar institution. Wedding traditions and customs vary greatly between cultures, ethnic groups, religions, countries, and social classes. Most wedding ceremonies involve an exchange of wedding vows by the couple, presentation of a gift (offering, ring(s), symbolic item, flowers, money), and a public proclamation of marriage by an authority figure or leader. Special wedding garments are often worn, and the ceremony is sometimes followed by a wedding reception. Music, poetry, prayers or readings from religious texts or literature are also commonly incorporated into the ceremony.
Dance Music
Music is an art form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony),rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; "art of the Muses"). The creation, performance, significance, and even the definition of music vary according to culture and social context. Music ranges from strictly organized compositions (and their recreation in performance), through improvisational music to aleatoric forms. Music can be divided into genres and subgenres, although the dividing lines and relationships between music genres are often subtle, sometimes open to individual interpretation, and occasionally controversial. Within "the arts", music may be classified as aperforming art, a fine art, and auditory art. There is also a strong connection between music and mathematics. To many people in many cultures, music is an important part of their way of life. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."Musicologist Jean-Jacques Nattiez summarizes the relativist, post-modern viewpoint: "The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus ... By all accounts there is no single and intercultural universal concept defining what music might be."
Waltz Music
There are several references to a sliding or gliding dance,- a waltz, from the 16th century including the representations of the printer H.S. Beheim. The French philosopher Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas, of approximately the same period wrote that, "Now they are dancing the godless, Welleror Spinner." "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, utilizes his surplus energy to press all his strength into the proper beat of the measure, thus intensifying his personal enjoyment in dancing". The wide, wild steps of the country people became shorter and more elegant when introduced to higher society. Hans Sachs wrote of the dance in his 1568Eygentliche Beschreibung aller Stände (1568). At the Austrian Court in Vienna in the late 17th century (1698) ladies were conducted around the room to the tune of a 2-beat measure, which then became the 3/4 of the Nach Tanz (After Dance), upon which couples got into the position for the Weller and waltzed around the room with gliding steps as in an engraving of the Wirtschaft (Inn Festival) given for Peter the Great. The peasants of Bavaria, Tyrol, and Styria began dancing a dance called Walzer, a dance for couples, around 1750. The Ländler, also known as the Schleifer, a country dance in 3/4 time, was popular in Bohemia, Austria, and Bavaria, and spread from the countryside to the suburbs of the city. While the eighteenth century upper classes continued to dance the minuet, bored noblemen slipped away to the balls of their servants. In the 1771 German novel Geschichte des Fräuleins von Sternheim by Sophie von La Roche, a high-minded character complains about the newly introduced waltz among aristocrats thus: "But when he put his arm around her, pressed her to his breast, cavorted with her in the shameless, indecent whirling-dance of the Germans and engaged in a familiarity that broke all the bounds of good breeding—then my silent misery turned into burning rage." Describing life in Vienna (dated at either 1776 or 1786), Don Curzio wrote, " The people were dancing mad [...] The ladies of Vienna are particularly celebrated for their grace and movements of waltzing of which they never tire." There is a waltz in the second act finale of the opera "Una Cosa Rara" written by Martin y Soler in 1786. Soler's waltz was marked Andante con moto, or "at a walking pace with motion", but the flow of the dance was sped-up in Vienna leading to the Geschwindwalzer, and the Galloppwalzer. In the transition from country to town, the hopping of the Ländler, a dance known as Langaus, became a sliding step, and gliding rotation replaced stamping rotation. In the 19th century the word primarily indicated that the dance was a turning one; one would "waltz" in the polka to indicate rotating rather than going straight forward without turning. The Viennese custom is to slightly anticipate the second beat, which conveys a faster, lighter rhythm, and also breaks of the phrase. The younger Strauss would sometimes break up the one-two-three of the melody with a one-two pattern in the accompaniment along with other rhythms, maintaining the 3/4 time while causing the dancers to dance a two-step waltz. The metronome speed for a full bar varies between 60 and 70, with the waltzes of the first Strauss often played faster than those of his sons. Shocking many when it was first introduced, the waltz became fashionable in Vienna around the 1780s, spreading to many other countries in the years to follow. It became fashionable in Britain during the Regency period, though the entry in the Oxford English Dictionary shows that it was considered "riotous and indecent" as late as 1825. The waltz, and especially its closed position, became the example for the creation of many other ballroom dances. Subsequently, new types of waltz have developed, including many folk and several ballroom dances.
Tango Music
Tango is a style of ballroom dance music in 2/4 or 4/4 time that originated among European immigrant populations of Argentina andUruguay (collectively, the "Rioplatenses"). It is traditionally played by a sextet, known as the orquesta típica, which includes twoviolins, piano, double bass, and two bandoneóns. Earlier forms of this ensemble sometimes included flute, clarinet and guitar. Tango may be purely instrumental or may include a vocalist. Tango is well-known across much of the world, along with the associatedtango dance. The "Golden Age" of tango music and dance is generally agreed to have been the period from about 1935 to 1952, roughly contemporaneous with thebig band era in the United States. Some of the many popular and influential orchestras included the orchestras of Juan d'Arienzo, Francisco Canaro, and Aníbal Troilo. D'Arienzo was called the "Rey del compás" or "King of the beat" for the insistent, driving rhythm which can be heard on many of his recordings. "El flete" is an excellent example of D'Arienzo's approach. Canaro's early milongas are generally the slowest and easiest to dance to; and for that reason, they are the most frequently played at tango dances (milongas); "Milonga Sentimental" is a classic example. Beginning in the Golden Age and continuing afterwards, the orchestras of Osvaldo Pugliese and Carlos di Sarli made many recordings. Di Sarli had a lush, grandiose sound, and emphasized strings and piano over the bandoneón, which is heard in "A la gran muñeca" and "Bahía Blanca" (the name of his home town). Pugliese's first recordings were not too different from those of other dance orchestras, but he developed a complex, rich, and sometimes discordant sound, which is heard in his signature pieces, "Gallo ciego", "Emancipación", and "La yumba". Pugliese's later music was played for an audience and not intended for dancing, although it is often used for stage choreography for its dramatic potential, and sometimes played late at night at milongas.
Hustle Dance
The Hustle is a catchall name for several disco dances which were extremely popular in the 1970s. Today it mostly refers to the unique partner dance done in ballrooms and nightclubs to disco music. It has some features in common with swing dance. Its basic steps are somewhat similar to the Discofox, which emerged at about the same time and is more familiar in various European countries. In the 1970s there was also a line dance called the Hustle—which is regaining popularity as people throw 1970s theme parties or schools have 1970s dance performances. Modern partner hustle is sometimes referred to as New York Hustle. There was also a popular line dance known as The Continental Walk, which was danced to the eponymous record by Archie Bell. In the Continental Walk dancers dance backwards, then forward, then to the right and then to the left. They jump forward and backward, and click their heels. They do some quick tap steps and then turn to the left to face a new wall. The Continental Walk was the first followed by the Bus Stop which had monthly variations. The Bus Stop was the best known and most frequently performed line dance in the discos of 1976 and 1977. This dance was also referred to as the "LA Bus Stop Hustle." A detailed description of the steps along with an instructional video of this hustle line dance is available here. (See also external links below.) This line dance was a version of Merengue with steps to rotate the dance direction orientation to another wall. The most popular current version (1980–2008) is called "The Electric Slide". The original NY mainstream Bus Stop and Hustle trend ended and freestyle took over when recording artists Chic released the song "Le Freak" in 1978. Everyone else in the country started in 1978 after Saturday Night Fever was released.
Pointe Shoes
A pointe shoe is a type of shoe worn by ballet dancers when performing pointework. Pointe shoes developed from the desire for dancers to appear weightless and sylph-like and have evolved to enable dancers to dance on the tips of their toes (i.e., en pointe) for extended periods of time. They are normally worn by female dancers, though male dancers may wear them for unorthodox roles such as the ugly stepsisters in Cinderella, Bottom in A Midsummer Night's Dream, or men performing as women in dance companies such as Les Ballets Trockadero and Grandiva. They are manufactured in a variety of colors, most commonly in shades of light pink.
Bolero Dance Shoes
Bolero is a genre of slow-tempo Latin music and its associated dance and song. There are Spanish and Cuban forms which are both significant and which have separate origins. The term is also used for some art music. In all its forms, the bolero has been popular for over a century The bolero is a 3/4 dance that originated in Spain in the late 18th century, a combination of the contradanza and the sevillana. Dancer Sebastiano Carezo is credited with inventing the dance in 1780. It is danced by either a soloist or a couple. It is in a moderately slow tempo and is performed to music which is sung and accompanied by castanets and guitars with lyrics of five to seven syllables in each of four lines per verse. It is in triple time and usually has a triplet on the second beat of each bar.
Cha Cha Dance Shoes
The Cha-cha-cha is the name of a dance of Cuban origin. It is danced to the music of the same name introduced by Cuban composer and violinist Enrique Jorrín in 1953. This rhythm was developed from the danzón by a syncopation of the fourth beat. The name is onomatopoeic, derived from the rhythm of the güiro(scraper) and the shuffling of the dancers' feet.
East Coast Swing Dance Shoes
East Coast Swing (ECS) is a form of social partner dance. It belongs to the group of swing dances. It is danced under fast swing music, including rock and roll and boogie-woogie. Yerrington and Outland equated East Coast Swing to the New Yorker in 1961. Originally known as "Eastern Swing" by Arthur Murray Studios, the name East Coast Swing became more common between 1975 and 1980.[1]
Foxtrot Dance Shoes
The foxtrot or fox trot is a smooth progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music, and the feeling is one of elegance and sophistication. The dance is similar in its look towaltz, although the rhythm is 4/4 instead of ¾ time. Developed in the 1920's, the foxtrot reached its height of popularity in the 1930's, and remains practiced today. The exact origin of the name of the dance is unclear, although one theory is that took its name from its popularizer, the vaudeville actorHarry Fox.[1] Two name variants exist: Fox trot, Foxtrot.
Mambo Dance Shoes
Mambo is a Latin dance of Cuba. Mambo music was invented during the 1930s in Havana by Cachao and made popular by Perez Prado and Benny Moré. Mambo music was influenced by the Jazz musicians that the Italian-American gangsters. In the late 1940s, Perez Prado came up with the dance for the mambo music and became the first person to market his music as "mambo". After Havana, Prado moved his music to Mexico, where his music and the dance was adopted. The original mambo dance was characterized by freedom and complicated foot-steps. Some Mexican entertainers became well known dancers like Tongolele, Adalberto Martínez, Rosa Carmina, Tin Tan and Lilia Prado. Most of these accompanied Prado in live presentations or were seen in Mexican films. The original form of the dance and music are alive and well in Cuba and in taught in dance studios in Mexico City. An example of authentic Mambo dance can be seen in the film 'The Motorcycle Diaries'.
Samba Dance Shoes
Samba (Portuguese pronunciation: [ˈsɐ̃bɐ] ( listen)) is a Brazilian dance and musical genre originating in Bahia and with its roots in Brazil (Rio De Janeiro) and Africa via the West African slave trade and African religious traditions. It is recognized around the world as a symbol of Brazil and the Brazilian Carnival. Considered one of the most popular Brazilian cultural expressions, samba has become an icon of Brazilian national identity. The Bahian Samba de Roda (dance circle), which became a UNESCO Heritage of Humanityin 2005, is the main root of the samba carioca, the samba that is played and danced in Rio de Janeiro. The modern samba that emerged at the beginning of the 20th century is basically 2/4 tempo varied with the conscious use of chorus sung to the sound of palms and batucada rhythm, adding one or more parts or stanzas of declaratory verses. Traditionally, the samba is played by strings (cavaquinho and various types of guitar) and various percussion instruments such as tamborim. Influenced by American orchestras in vogue since the Second World War and the cultural impact of US music post-war, samba began to usetrombones, trumpets, choros, flutes, and clarinets.[citation needed] In addition to rhythm and bar, samba brings a whole historical culture of food, varied dances (miudinho, coco, samba de roda, and pernada), parties, clothes such as linen shirts, and the NAIF painting of established names such as Nelson Sargento, Guilherme de Brito, and Heitor dos Prazeres. Anonymous community artists, including painters, sculptors, designers, and stylists, make the clothes, costumes, carnival floats, and cars, opening the doors of schools of samba. The Samba National Day is celebrated on December 2. The date was established at the initiative of Luis Monteiro da Costa, an Alderman of Salvador, in honor of Ary Barroso. He composed "Na Baixa do Sapateiro" even though he had never been in Bahia. Thus 2 December marked the first visit of Ary Barroso to Salvador. Initially, this day was celebrated only in Salvador, but eventually it turned into a national holiday. Samba is a root style in Southeastern Brazil and Northeast Brazil, especially in Rio de Janeiro, Sao Paulo, Salvador and Belo Horizonte. Its importance as Brazil's national music transcends region, however; samba schools, samba musicians and carnival organizations centered around the performance of samba exist in every region of the country and, while regional musics prevail in other regions (for instance, in Southern Brazil, Center-West Brazil, and all of the Brazilian countryside, Sertanejo, or Brazilian country music, is the most popular style). Since Rio de Janeiro is the most popular Brazilian city worldwide, usually samba is used to identify Brazilians as part of the same national culture, even if nowadays Sertanejo is the most popular style in Brazil.